Abstract Expressionism and the Cold War

Suites Culturelles

faa68-vogue Cecil Beaton, The New Soft Look © 1951 by The Condé Nast Publications.

Every so often, a painter has to destroy painting. Cezanne did it, Picasso did it with cubism. Then Pollock did it. He busted our idea of a picture all to hell. Then there could be new paintings again. (Willem de Kooning, 1956)

On March 1, 1951 Vogue magazine published four pages of photographs by Cecil Beaton, in which two models showed the latest fashion creations in front of Jackson Pollock’s Lavender Mist, Number 28, Number 27, and Autumn Rhythm. The Vogue photographs exemplify the dichotomy of American culture in the 1950s: the contrast between Pollock’s paintings and the dresses emphasized the split between conformity within Cold War culture and the avant-garde modernism of post-war America. When Christian Dior introduced his New Look shortly after WWII, bringing back the corseted hour-glass-figure look, as well as lavish skirts…

View original post 3,677 more words

Advertisements

Author: James Presley

I am an artist and I love it. What do I have to do to live from what I love? I'm not dying or cutting me bloody ear off, that's for sure.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s