Emese Cuth: Guest Article

I have known Emese for many years, and she is a very fine artist, so I wanted to include her in my list of very special guests.  She is a Hungarian, but now lives in Australia.  Below you can see her short introduction and some of her works.  Maybe we will have that coffee some day.

I am an ethnic Hungarian born in the former Czechoslovakia (today’s Slovakia); a Slovak and Canadian citizen currently living in Sydney, Australia.

At 14, my whole life changed due to a simple event: reading Michelangelo’s biography (Irving Stone: The Agony and the Ecstasy). I fell in love. I started drawing, and nothing has been the same since.

At 15, my family moved to Toronto, Canada. During my high school years I spent almost all of my free time drawing. I enjoyed the support and guidance of my amazing art teacher, dear Ms. Sophie Karman, but other than art classes in high school I never received any other art training. I was simply head over heels in love with my 3B pencils, my beautiful BFK Rives papers, and the ecstasy I experienced while putting pencil to paper.

At 20 I decided to move to Hungary with the intention of studying fine art at the Hungarian University of Fine Arts in Budapest. I applied twice and was rejected on both occasions. Crushed, I finally ended up studying English and Hungarian at ELTE University while supporting myself by working as an English teacher and translator. I received my MA in English language and literature in 2010.

I ended up staying in Hungary for 11 years. Living in Budapest was my own personal agony and ecstasy. The experience was unbelievably beautiful, painful, arduous and blissful – all at the same time. I experienced unspeakably low lows and dizzily high highs. In the end I became depressed because life was too demanding and I had almost no time to draw. Over the course of 11 years I managed to have only 3 solo exhibitions in Budapest.

BUT.

I think I have spent an unhealthy amount of time wallowing in self-pity and brooding over how unfair life is. What I should have been doing all along is to give in to my elemental drive to draw and paint and forget about everything else.

I draw people because to me people are the most fascinating subject matter around. People are so goddamn beautiful. I am constantly in awe. Ceaselessly amazed.

When it comes to creating art, I’m not big on symbols, allegories, subliminal messages, or social-political concerns. My motives are simple and naive: I want to create images that are beautiful. I am also interested in evoking various moods and atmospheres through my drawings; as well as (yes, shoot me in the face) communicating emotions. What I am NOT interested in is portraying illness, ugliness, decay. I am a hypersensitive person who must always keep their eyes focused on beauty; otherwise I’ll become depressed and suicidal. “Beauty is truth, truth beauty,” and so on – you know the drill.

If you want to see more go to the following pages and

Gabor Kruzsely: Super Artist

I have known Gabor for many years, unfortunately over the past few years I lost contact with him, but one thing I do know is he is doing very well and living the way most artists would love to.  I n peace and harmony and doing that which he loves and that is to paint and draw.  He, like my brother Lee Woods managed to achieve that which I can only dream of.  Good luck to them both and I wish them a lot of happiness in the future.

Gabor was born, 1972,  in The Ukraine (the formerly Hungarian part) and now lives in Eger, Hungary, in a beautiful house in the countryside.  His style is mainly abstract figurative.  I love his works very much and if there were to be a modern artist who deserves to be at the top with all of the other abstracts, he would be my first choice.

For more visit: Gabor Kruzsely

 

An old friend: A bit abstract, a bit expressionism, a bit of sealife

I was having a clean up the other day and I came across one of the paintings I manage to salvage from my move back to England 2 years ago.  It brought back many memories, including all the space I used to have to paint in and that I could actually do paintings of this size.  My dream was always to be able to paint a 20 metre painting one day.  I just love to do things on big surfaces.  I miss those days, my life was so much happier and I left it all behind.  Oh well, nit to dwell on the past, and look to the future and hope it has more to offer.

Anyway this painting put a smile on my face because it was so spontaneous and when I saw it again I thought how bright and shining it was.

I hope you all enjoy it as much as I did.  Feel free to comment.  I did some close ups of the special parts. Title of the painting is Sealife Divided, I think I did it around 2004. The mediums are, acrylic, enamel, spray paint, shells, wires and marble.